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Used in pathways:

Quentin Crisp by Carolina Gonzalez ,

Pictures and mentions of the actor

Orlando intertextuality by Rachel Mathias,

Orlando by Hannah Burbach,

let's see what happens

CD, SP-ARK, NFT1 by Charles Drazin,

The Living Archive The great joy of archives is the way that they allow you to see behind the facade, to bring alive the thinking that resulted in the documents. For this reason, I find notes such as this irresistible. In their immediacy, they help you get into the mind of the artist more than the work itself. The finished painting, book or film is as much a process of hiding as revealing. But if you come across notes such as these in an archive, then you begin to get that wonderful sense of being able to see all.

Orlando the novel to Orlando the film: Intertextuality and gender by Briony Stas, Student

Thoughts on how Sally Potter used the visual medium of film to translate Virginia Wolf's literary exploration of gender, which is given to us largely through Orlando's internalised thought, into the screen.

Gender and Androgyny within Orlando by Anna De Guia-Eriksson, Student

Description 1 x colour slide in transparent plastic hanging sheet, Digital, Film Stills - Scene 3 - Queen Elizabeth I (Quentin Crisp) in the film
Asset ID SPA0000417
Date 1992
Tags
Scene Number 2